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Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts

Wednesday, September 23, 2009

Dream a little dream

The FantasticksImage via Wikipedia

This is a late posting, but I will post just the same, as I am sort of following this girl's (fast becoming a lady now) steps in the industry

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Performing on Broadway and singing with Adam Lambert are just two of Julia Abueva's dreams


Teen singing sensation Julia Abueva.

SHE HAS been featured on Oprah, performed for heads of state, and starred in musicals Sleepless Town and The Fantasticks. She gave her first stage performance when she was seven and, six years later, performed her first full-length solo concert. Not bad for a 13-year-old (she'll be 14 in November).

And Julia Abueva, who will perform a solo recital at Popstars City this Friday, said she isn't planning to stop any time soon.

"I really want to pursue singing for the rest of my life," said the girl who cites the Pussycat Dolls, Beyonce and Adam Lambert as musical heroes. "I have two really big dreams: To be on Broadway, or make it as a recording artiste."

Plans for another solo concert are already underfoot, and she's going to perform a second run of The Fantasticks in November.

Her recital show will feature "mostly songs from musical theatre". "Broadway is my strength," said the eighth-grader at the Singapore American School. "I've loved it ever since I was small."

What do you think you've gained in your musical journey so far?

I gained lots of discipline. I've learned to juggle singing and school. I'm not going to lie, it's very difficult! And there are days when I'm like, 'I can't do this anymore'. But since I love performing and singing so much, if I want to continue doing it, I have to prove that I can do it.


You appeared on Oprah last year and you'll be on a show on Channel NewsAsia this year. What do you think about that?

It was funny because CNA went to my school during the open house and I was walking around with my friends and the TV crew was following me. My friends asked, 'You have your own TV show?' It was a lot of fun!

Who would you like to perform with?

I can't perform with him, but I would like to meet Simon Cowell. I think he's a really cool dude, even though a few people might not like him. But, oh, Adam Lambert - I would like to do a duet with him.

What keeps you motivated?

I think I'm very blessed. My parents didn't know anything about the industry, but the offers kept coming. And I thank the Lord everyday for the blessings. I'll take whatever opportunities come. But stay grounded, that's what my parents keep telling me. And my friends would say that if I ever put on a diva attitude they would be the first to shoot me!


Catch Julia Abueva in An Evening With A New Star at Popstars City, on Friday at 8pm.

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From TODAY, Plus – Thursday, 27-Aug-2009


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Monday, June 8, 2009

Shanghai aims to become 'Broadway of the East'

Posted: 08 June 2009 1655 hrs

090608-1655hrs Shanghai's Majestic Theatre

SHANGHAI: The Majestic Theatre, a reminder of when Shanghai was enthralled by jazz, Gable and Garbo, stands at the heart of plans to restore the city as a cultural centre by creating a Broadway of the East.

Multi-coloured stars hang from lamp posts in the downtown area around the Majestic -- a district with more than 20 theatres, including other art deco wonders -- announcing it has been re-christened "Drama Valley".

"Our plan is to build a magnificent modern Drama Valley that within 10 years can compete side-by-side with America's Broadway and London's West End," Zhang Rengliang, head of the district government, said at a launching ceremony.

The first 30-play season features a mix of mostly contemporary Chinese drama with Broadway productions added in, such as Andrew Lloyd Weber's "Cats," the light spectacular "Luma" and Disney's "High School Musical".

But the project also faces unique challenges. Shanghai's theatre scene is in the early stages of its development with non-government troupes struggling to find space and funding, and censors controlling what goes on stage.

"Media control remains a top priority in China," said David Bandurski, a researcher at the China Media Project at the University of Hong Kong.

"Obviously that has profound ramifications for anything resembling social and political exploration in Chinese dramas.

"But commercial development, not soul searching, is the major impetus behind China's recent push to revitalize what it calls its cultural industry. This, presumably, is what Shanghai has in mind."

The Jing'an district government has invested an initial 10 million yuan (1.5 million) in the project -- most of it spent on promotion, according to Yang Yong, general manager of the Shanghai Drama Valley Development Company.

That funding will be increased to upgrade theatres, develop original shows and help foster young artists, Yang said.

The government also seeks to offer established artists incentives to set up studios in the district, he said, adding these could include lower rents, tax rebates and other subsidies.

Officials hope a theatre centre can pump money into businesses in the area and have hired Broadway theatre operators Nederlander Worldwide Entertainment to manage the Majestic, help develop shows and act as consultants.

But the project's success will depend heavily on what happens outside the theatre lobbies, said Toby Simkin, a Shanghai-based producer and vice-president for Nederlander Worldwide.

"Everybody in the world wants to create such a thing," Simkin said. "But people often forget Broadway and the West End are not about bricks and mortar and not even about shows.

"Around Times Square, there are 36 theatres but there are also 100 restaurants, 50 different hotels, marquees, neon lights, street peddlers, musicians, naked guitarists," he said. "All of these things create an energy and vitality."

Chinese theatre-goers are the core audience the project needs to attract to succeed, Simkin said.

Shanghai's current theatre scene is in its early stages, said Alison Friedman, the former general manager of composer Tan Dun's production company.

"You see all these seeds that you see everywhere else, it's just on a smaller scale," said Friedman, now a Shanghai-based theatre consultant.

"Instead of the thousand experimental theatre groups that you might find in New York or Chicago, here there will be four."

Encouraging more theatre groups to stage more productions is the only way to develop a world-class theatre scene, said Yang Shaolin, head of the Shanghai Dramatic Arts Centre.

"We have to produce more plays to ensure high quality. How did Broadway and London's West End become drama centres? They both have massive production environments," said Yang, who is closely involved in the project.

Ma Yue, a young director who recently graduated from the Shanghai Theatre Academy, staged a play this month at the Shanghai Grand Theatre, but had to team up with an old established troupe to get all the necessary permits.

When it comes to censorship, Ma said a script can be approved by the authorities within days if it contains no nude scenes or material considered politically or socially objectionable.

"If the Drama Valley project can boost the number of underground, small-sized theatres or workshops, that would be very good. We really don't need lots of super big theatres," she said.

- AFP/ir

From ChannelNewsAsia.com; see the source article here.


Reblog this post [with Zemanta]

Shanghai aims to become 'Broadway of the East'

Posted: 08 June 2009 1655 hrs

090608-1655hrs Shanghai's Majestic Theatre

SHANGHAI: The Majestic Theatre, a reminder of when Shanghai was enthralled by jazz, Gable and Garbo, stands at the heart of plans to restore the city as a cultural centre by creating a Broadway of the East.

Multi-coloured stars hang from lamp posts in the downtown area around the Majestic -- a district with more than 20 theatres, including other art deco wonders -- announcing it has been re-christened "Drama Valley".

"Our plan is to build a magnificent modern Drama Valley that within 10 years can compete side-by-side with America's Broadway and London's West End," Zhang Rengliang, head of the district government, said at a launching ceremony.

The first 30-play season features a mix of mostly contemporary Chinese drama with Broadway productions added in, such as Andrew Lloyd Weber's "Cats," the light spectacular "Luma" and Disney's "High School Musical".

But the project also faces unique challenges. Shanghai's theatre scene is in the early stages of its development with non-government troupes struggling to find space and funding, and censors controlling what goes on stage.

"Media control remains a top priority in China," said David Bandurski, a researcher at the China Media Project at the University of Hong Kong.

"Obviously that has profound ramifications for anything resembling social and political exploration in Chinese dramas.

"But commercial development, not soul searching, is the major impetus behind China's recent push to revitalize what it calls its cultural industry. This, presumably, is what Shanghai has in mind."

The Jing'an district government has invested an initial 10 million yuan (1.5 million) in the project -- most of it spent on promotion, according to Yang Yong, general manager of the Shanghai Drama Valley Development Company.

That funding will be increased to upgrade theatres, develop original shows and help foster young artists, Yang said.

The government also seeks to offer established artists incentives to set up studios in the district, he said, adding these could include lower rents, tax rebates and other subsidies.

Officials hope a theatre centre can pump money into businesses in the area and have hired Broadway theatre operators Nederlander Worldwide Entertainment to manage the Majestic, help develop shows and act as consultants.

But the project's success will depend heavily on what happens outside the theatre lobbies, said Toby Simkin, a Shanghai-based producer and vice-president for Nederlander Worldwide.

"Everybody in the world wants to create such a thing," Simkin said. "But people often forget Broadway and the West End are not about bricks and mortar and not even about shows.

"Around Times Square, there are 36 theatres but there are also 100 restaurants, 50 different hotels, marquees, neon lights, street peddlers, musicians, naked guitarists," he said. "All of these things create an energy and vitality."

Chinese theatre-goers are the core audience the project needs to attract to succeed, Simkin said.

Shanghai's current theatre scene is in its early stages, said Alison Friedman, the former general manager of composer Tan Dun's production company.

"You see all these seeds that you see everywhere else, it's just on a smaller scale," said Friedman, now a Shanghai-based theatre consultant.

"Instead of the thousand experimental theatre groups that you might find in New York or Chicago, here there will be four."

Encouraging more theatre groups to stage more productions is the only way to develop a world-class theatre scene, said Yang Shaolin, head of the Shanghai Dramatic Arts Centre.

"We have to produce more plays to ensure high quality. How did Broadway and London's West End become drama centres? They both have massive production environments," said Yang, who is closely involved in the project.

Ma Yue, a young director who recently graduated from the Shanghai Theatre Academy, staged a play this month at the Shanghai Grand Theatre, but had to team up with an old established troupe to get all the necessary permits.

When it comes to censorship, Ma said a script can be approved by the authorities within days if it contains no nude scenes or material considered politically or socially objectionable.

"If the Drama Valley project can boost the number of underground, small-sized theatres or workshops, that would be very good. We really don't need lots of super big theatres," she said.

- AFP/ir

From ChannelNewsAsia.com; see the source article here.


Reblog this post [with Zemanta]